The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
活埋,洛克,罪人。这三部电影叙事与演员的表现真的是完美了,并且这也是相对可低成本实现度高的题材。通过大量的对白一句句将故事描绘出来,这类影片必须通过强有力戏剧冲突来调动观众情绪,这也是此类题材吸引我的地方。
个人觉得不错,情节紧凑,低成本但是展现的很完整,但是我猜到了是女人干的
报警的时候一句话说清地点人物事件,太重要了。
落魄之人拯救落魄之人
爱马就吉伦哈尔一个人独角戏全程打电话,cast全是配音没有出演😂满脑子全是画面,还无尿点,我服。
个体总是片面性的,三思而行难抵一时冲动,如问心有愧,则难逃其罪
男主开庭的事和主线稍显游离不相关,不过倒也说的过去,多少有点影射近几年美国警察枪杀黑人的事。全程充满焦虑感,通过接线救人给自己赎罪,整个设定还算可以
Jack演技派,但片再精簡一點更好。看片途中一直聯想到那部被關在棺材裡的⋯⋯
能拍这样的电影都是很不错的,不可能“好看”,不可能“卖座”,但也拍出来了。
独角戏演成这样挺精彩的。镜头怼脸,小吉长睫毛照样帅。想起河正宇播音片。
完全是靠老吉的演技撑起了一切,这么久了还是很吃这类颜值,超爱他。
心碎人救心碎人。疫情期间仅用了11天就拍出来的~老吉忒帅。
Emmm……behind the scene
没有一个女人愿意在亲手杀死自己孩子的阴影中继续活下去。各位姐妹,远离暴躁的男人吧,你甭管他妈是在工作中还是生活中,情绪容易失控的男人,咱就远离吧。毕竟,命要紧。
"broken people save broken people",“同是天涯沦落人”。
原来我看过丹麦版的 难怪觉得里面场景似曾相识。接听讲不清楚情况的电话,真的很恼火。
The Guilty,爆米花电影没错了。如果没了Jake (也只是工具人而已),就连爆米花电影都算不上了。
Jake is a smoothly performant who created the intensity of the film just by himself..
没看过原作。表演的感染力很强,但剧本原本可以更深刻一些。
以吉伦哈尔的实力,其实并不需要用这样的solo剧来证明自己的演技。不过这也算是疫情时代,自己参与制作保证有作品的一种方式。表演为主,画外音的情节也不必多推敲了。
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