Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
这个片的nb之处在于，它展示了南非种族隔离的极端自我防卫机制，哪怕你是身居高位的白人，威胁了这个体制也得死。
超出预期的关于金属乐的电影，还是青少年高中生玩儿金属乐的电影！几位大佬在片中露脸为本片增色不少，sound track更是够全面。三位演员呈现出的演奏效果那就更可以说是精彩了！想不到《小丑》里的小男主鼓打得那么棒！最后还是要无比羡慕一下，人家可以有高中生玩儿金属乐故事的电影，我们的电影里规定警察不能是坏人……。
中规中矩吧，可可爱爱的年少时光，要是我年轻时有这样的社团和朋友吉他也不会弹得这么烂了，小年轻的恋爱也好可爱，重金属乐队不是恐怖吓人，只是一种态度，不错
男二是最常见的金属党 留长发穿T恤 无论多大一直中二 中间来应聘的那个金色头发如果做乐手一定很招女孩子喜欢 每个青春电影里都会出现一个傻大个 女主和男主有点weirdo但很可爱 最普通的衬衫穿在少年身上也闪闪发光 想念在迷笛冲撞 想回到19岁
感觉像是给我的礼物，当一部电影里每首歌都会唱，每首歌都会弹的感觉太爽了
如此小清新的重金属乐队？hhhh用大提琴玩摇滚真得帅爆了
Metal will live on
很一般的人质挟持枪战电影。片中警不像警，匪不像匪，人质，，也不像人质。。
是不是对金属的stereotype普遍都停在了上世纪
虽然和其他青春片套路近似，但明显高出一个档次
一部中二氣質爆棚的音樂青春片。雖然他們樂隊的經歴比大多樂隊的經歴幹凈多了，沒有吸毒，沒有亂搞，但他們還是有搞砸一切的能力，幸好迷途知返，泳池四大前輩出來勸男主別當渣男的那段真是笑死我了。這不太像是金屬的反抗，倒像是青春期的反抗。年輕是真好啊，可以為了自己喜歡的東西不顧一切，友誼也會堅如磐石。
Will长好大啦！
而这部片完全不是这种发展，还蛮惊喜的
挺多经典致敬的，不少Jackson好琴，就是把金属党描述的有点楞，非常尴尬。
中规中矩青少年音乐爱情友情成长片儿 就是给黄老板的歌儿唱的也太难听了叭
别重金属了，单纯让我磕一磕这一段卡在重金属音乐间格格不入的小清新爱情吧🤘fuck me
反派都是高颜值
救……鼓手真的好像天津人，有点秃戴眼镜，穿格子套卫衣，走路插口袋，哪都像完
好中二啊哈哈哈哈 但是本质还是个烂俗青春片么 好在主角都很可爱很好玩 重金属就是个小小噱头 而且我真的欣赏不来诶 最喜欢在床上拥抱那里～你不是个错误～你是完美的～
还是重金属音乐好听，没事刺激刺激还可以，年龄大了不能老刺激🎶
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