"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
种地打鸟憨农民，暗格藏架撑，高草丛潜行，猪圈夜宵加餐，传奇双枪反围剿林中对杀，悍匪易屠，冷枪难防，小子终会变老头……故事够老派
从头能预料到尾的简单剧情，没有复杂的情绪，没有错综的人物关系，唯一值得一提的是老亨的演技真不错
西部片的还魂，非常简单老派的故事，但就是男主这种老糙汉形象丰满了人物。
一句话的情节能拍出这种厚重感，这就是基本功。
镜头的设计很见功夫，可惜人物不够丰满，戏尾收得太快了。
潮湿的泥土，肮脏的猪圈，衬衫发黄，菜汤易冷。就是这么old school。
镜头的设计很见功夫，可惜人物不够丰满，戏尾收得太快了。
西部爽片，节奏把握不错，渐入佳境很吸引人。
典型的史诗级西部大片。人物很少，没有女人，只有硬汉群像，马，枪，人。剧情很少，虚拟了逃匿在西部农场的老比利小子，和他的儿子，救了一个人，引来一群人，解决完这群人后被反啮。对话很少，几处比较集中的对话，那不是拖沓，是时代的印记，穿插了邦尼的反思、少年的成长、往日的辉煌，值得咂摸。枪战很少，结尾的枪战无疑很出色，突出了历史上比利小子的拔枪速度、步履轻盈、心思缜密。过瘾。
Who I am ? I am nobody.
复刻西片怀故旧，有心无力慢慢慢。
铺垫草率不可怕，可怕的是还给你来个自以为是热血结尾你受得了吗？
I dont believe in redemption.the world is change ,it's a place i dont belong in no more...结局的感叹像极了荒野大镖客救赎中对亚瑟摩根的总结。时代在前进，西部枪手成为了历史符号。
不相信有救赎，能在其他人和事情上找到慰藉就很好了
孩子，你埋你舅舅了吗？
老派西部风格就是话从不表达完整但枪法一定要准
正宗老式西部片的调子，传奇人物比利小子演义后传，犹如《水浒传》之阮小七被演绎成《打渔杀家》之萧恩。
踩点不多派几个人，最后也没发挥出人数优势，黑吃黑的结局注定没有善终的人。。
比较老派的西部牛仔片，节奏较慢，但非常起范儿，只推荐爱好传统西部片的人观看。
3.5，故事很简单，但是完成的非常高，大量的环境描写有别于传统的西部片
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