After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
在2022年7月观看两部《犯罪都市》很难不让我联想起发生打人事件、众多人网上实名举报各种涉黑等问题的唐山；而那句“咋还咬人，又不是丧尸”的台词很难不让我联想到马东锡参演的《釜山行》；……
笑，直译堪比意译，套装，层层装，下着套地装。不困的话剧电影，但这类片子依旧会有些强行。。。
全片最好的段子是：“我们五五分吧？”“谁拿五啊？”
这是个Cinema.
马克.里朗斯的个人表演秀，精细而刻意。但是整个模式是舞台剧式的，包括表演的部分。倒是强尼.弗林那种带有钝感的诠释，跟芝加哥黑帮穷凶极恶的气质搭得天衣无缝。
装出来的精致也是精致，从开头一直装到结尾，也一直吸引人看到结尾，装就对了，不完美就对了。
作为一部室内靠着对话不断反转的影片，剧情算不上优秀，甚至一些情节交代的都不是那么清晰，影片节奏也不算快，但是人物的设定很明确，节奏也很舒服，整体是有质感的。马克·里朗斯饰演的英国"绅士"也在不断反转的事件中也揭露了自己埋葬在心底的秘密和身世。这个金盆洗手的江湖人却总是摆脱不了江湖事，像极了古龙的武侠人物和故事。可惜影片故事中的计划更多的是随机应变的巧合，好在精湛的演技和适当的节奏，让紧张悬疑感淡化了故事里的"巧合"。三星半
剧情不错，短小精悍，紧张刺激，在一个空间里面发生的故事。中文译名太差了。
音乐给力！老演员给力！反转给力！这电影有去年小人物那味了
节奏和气氛都很好，几个重要的转折过于失信。做成舞台剧去演，讲不准更好看一些。
这种在密闭室内发生整个故事的低成本电影多么适配防疫居家期间观看 连观感都透着魔幻现实主义
看似环环相扣，实则无脑爽片，想学ROPE只有皮毛。
故事比第一部搞笑，动作也比第一部更犀利。
谈笑风生，杀人无形。有一点没照顾到，箱子里一直滴血怎么没了下文？
真不错。四月最佳电影哦。喜欢看这个类型的。
不用脑子不用枪的韩警韩匪。武打设计太偷懒，战斗力过分夸张了，这样不好。
就是知道大佬要发飙但还是想看看大佬准备怎么反转发飙。
简介有误，都说几遍了 I'm not a tailor, I'm a cutter.
整个故事中规中矩，但这个IP能走到这一步，其实侧面也展现了韩国的工业水平确实是挺强的。马东锡演的西吧侠其实有点看疲倦了，但是孙锡久好帅啊，我可以。
在杀气这一点上，第一部的反派远强于第二部，不是光靠凶狠就能演出来的。
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