The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
大胡子坏警察醒来后,余生都将被一个噩梦问题纠缠:我怎么这么菜?
其实觉得拍的很真实,差点以为是真实事件改编
总以后下个情节会有精彩,但实际就是平淡如水的倒霉蛋被莫名追杀,奋力反杀。
最后两点建议:别疲劳驾驶,别去乱的国家。
导演一到关键时刻就给慢动作,真是扣人心弦。。。没错,扣人心弦,我都多久没用过这个词了
就算你是Agent Beckett,也不能忘记开车睡着了出车祸的事实。
镜头语言真好,很多地方的摄影角度看的让人压抑不安。剧情故事我是似懂非懂。雅典真好看,男主真抗揍黑人血统就是牛。没了
前面铺垫那么多感情戏后来剧情彻底走向政治??跳楼压车实在是扯大蛋了
小黑胖子约翰·大卫·华盛顿,没有继承老爸一点的个人魅力和气场,大屁股跑步时不住的漏腚沟,这种屌丝气质反而刚好和主角契合。一番位女一坎妹火速领了便当以后,真的很难再吸引我观看了。
警匪联手狠追杀,男主开挂求生天。
被绑架的小男孩儿的妈
男主后半段简直开挂了……本以为能多看到点坎妹,没想到就那么点……
无聊到爆,信条的男主既然接这么无聊的片,艾既然打酱油,全程打斗也很无聊,也不惊险,反正无聊!!!
【6.5】被追杀的原因还是太过牵强了,交代得也不清不楚。但作为逃亡片氛围感还是营造得不错的,观众比较有代入感,前两幕还是很能抓人的,到第三幕开始逐渐崩坏。
你说它差吧它也有优点 但实在是夸不出口 没头没尾的 这类题材完全可以拍的更好 usa的自我感动什么时候能够停止 真是够了ps这是史上第一部电影男主抢摩托没抢过路人 忍不住笑了 从这一点上来说还挺写实?
如果最后男主没有变身美国队长,我会多给一星…
他儿
平凡之中的伟大,不是精心策划的剧本,却依旧抓人。
我以后说的男主女主都是按照戏份多少来定的,如果戏份差不多/不准确,我会直接说名字)
临近结尾的追逐戏拍的还不错,除了最后停车场的那个“信仰之跃”,从十几层高的地方跳下去毫发无伤还能继续打架,也是牛逼。
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