Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda's signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda's recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio's apartment into a strange "night without distance" in Lois Patiño's hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.
比神秘海域还要无聊，皮特这酱油打得也太突然了。
让人意想不到的杀手皮特，也让人意想不到的惨死枪下……骑着一辆小摩托去追装甲车，潜入水中，再次踏上陆地时，背后多了些小东西……
[视]派拉蒙流媒体。三肤色开场，老子，道德经，饥饿游戏，飓风营救。亮片紧身衣，光头光腚舞者，动作戏少，解谜戏少，片名<迷失Z城>，情感升华戏频繁，皮特客串，结尾有彩蛋。小岛火山，葱郁盎然，丛林摩托，瀑布攀岩，成本有限，特效还行
很久没见的钱老板一副不太聪明的样子，卖肉兼顾和桑德拉·布洛克一起搭台搞笑，<夺宝奇兵>式的故事就是副羊皮，而且客串的皮特挂掉之后就越来越无聊了，2星半。
内核是失意女性的挣扎与自救，外表是冒险类喜剧爱情片。桑德拉值得三星。
然而竟然不那么难看
金色长发的钱老板，在布拉德皮特旁边全程柔弱无助的钱老板，赤身裸体的钱老板……哎呀，就……
草包男主：”stop mansplaining” 女主角：“I’m a woman I can’t ‘mansplain’!!!!!!” 草包男主：“Well I’m a feminist I believe women can do anything they want to do!” 绝了，太绝了，太经典了
姗姐在重复她的傻大妞人设，钱宁在重复他的性感舞男人设，蛋妞已经老到可以在好莱坞爆米花片里演英式反派了，下饭片儿一枚，怎样让钱宁露臀可能算唯一编剧花了心思的地方。我喜欢双人舞那段，钱宁演戏很一般，但他任何时候跳起舞来我都还是爱看的，他身体的律动感确实很自然舒服。皮特的出现毫无惊喜，还不如中途听到了浴血黑帮主题曲来得开心。
皮特挂掉之前挺有意思，后面最大看点应该是屁股了。
完全颠倒传统性别设置——女性对男性的引领、保护和凝视（还是全裸猛男）。
皮特出场的这几分钟要我狗命……WHY ARE YOU SO HANDSOME！！🥲
剧本像是根据明星的任务逆向工程出来的。布洛克在本片的表现（出棺材之前）是心情的真实体现吧。
作为爆米花来说很合格，比红色通缉令要好，而且钱老板真的还是很可爱，哈哈
从两个人共进古墓开始到地下河我就怀疑我看了个神雕侠侣
除了PP戏，没什么亮点，查宁塔图姆演技好尬。
好莱坞的编剧已经失去创作能力了吗？虽然本片请出了58岁的桑德拉布洛克和小她16岁的查宁塔图姆搭档，但依然难掩平庸。
谁会想到一个寻宝类的电影有关迷失之城的画面居然连三分之一都不到呢？但是钱老板也太帅了吧T_T 好羡慕女主蹲下去那段儿和吊床那段儿，好像除此之外，这部电影就没有什么记忆点了，哦 还有大帅比皮特，谁会想到他的盒饭给的这么爽快呢
他美票房神话桑女士天天就诈骗大家来看这种片子
这片比神秘海域还差了三个档次，神秘海域至少有特效有打斗
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