Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
在今年看会很开心的老套温情电影哎！“他终于可以利用自己的天赋和人沟通了”😢
玩具总动员那般上乘的制作，剧情简单易懂但细究依然有深度。
大概是美国第一部宣传共同富裕的电影？朴实的愿望，善良的爱，纯真的初心，一切都是那么可爱。
加油站超市老哥问你们是毒贩吗？我就在幻想这是老白的另一个宇宙，比毒师和检察官更好的结局。
题材挺好，也很欢快，但缺乏一定的戏剧冲突，不过也值得推荐
精准高效的叙事节奏，特效一流的观影体验，面面俱到，有滋有味，还要啥自行车啊
系列电影质量最稳定的大概就是玩具总动员了，个人对本作的观感还是不错的，讲故事的水平优秀但故事本身缺乏突破；如果巴斯不必须符合玩具总动员里的性格的话，其实我挺期待看个动画版异形的，可惜这也不是迪斯尼会干的事情
没什么大意思。。。。正确的很，剧情基本上是毫无悬念的推进下去。
Kind of“盛名之下，其实难副”… PS：矮个子那个真的不是乔佩西吗
好喜欢！轻松又温馨，看完心情变好(*´ω｀*)
剧作学习的范本，人物成长，每一次的最后一分钟营救、时间流逝的方法。
7.7 整体还不错，不过观影后看了下Cinemaholic关于WinFall奖金机制的解析，发现影片没有对关键的roll down机制进行足够的解释，有点遗憾。最大看点大概在于根据真实事件改编，系统性的通过lottery赚钱！
可以考虑把巴斯光年达到光速后的内容全部剪去，俗套无逻辑
蛮轻松很温馨的影片 一个叫杰瑞的老人退休 无意中发现了彩票的漏洞 利用漏洞让小镇所有居民富起来的故事 （搬彩票那段给人一种绝命毒师里老白把钱藏起来的错觉 异曲同工之妙）
大卫弗兰克尔类型片功力深厚，感觉这片结尾缺点hitpoint，太平淡，前半段很棒，一对退休老大爷夫妇愣是拍出了邦妮克莱德劫匪搭档的感觉。能用自己的能力照顾身边的人甚至整个社区的感觉真棒，两个主演平淡自然。
凡人的彩票梦——不过首先要数学足够好
超级温情的剧啊 全程嘴角上扬 老白简直是太适合演这种家庭剧了
老白不搞化学提纯了，搞彩票漏洞了，太得劲儿了！
…-…我的生活里没有外遇的空间。我不想让你期待一些非常平庸的事情，一些悬而未决的事情。…我整个夏天都在想你，想着我是多么幸运，在日记里一页又一页地写着你的年轻和美丽。但是这些，怎么说呢？是时间之外的东西。…你想去体验，你也这么做了。你活在所有渴望之上。你没有意识到吗？你是这么自由 这么勇敢，你引诱了我。我在你这个年纪做不了这样的事。-但是我，我不明白为什么你宁愿放弃这一切也不想珍惜我们能够在一起的每一刻。-我不想因为让你失望而感到内疚。我什么也给不了你。…还有丹尼尔，我不知道你们之间发生了什么，但一定有事发生。我知道，你让他动摇、心神不定、深受吸引，这就是生活。…你跟我之间度过了一段热情的充满生气的真挚的时光，很美好又珍贵。…-我们不会再见面了吗？-不会，我们最好不见。··· -我不同意。来。-14914
平行世界的老白改爱数学并决定及时把秘密告诉妻子，从此过上了幸福的生活
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